Full Text of HR0892 103rd General Assembly
HR0892 103RD GENERAL ASSEMBLY | | | HR0892 | | LRB103 42475 ECR 75705 r |
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| 1 | | HOUSE RESOLUTION | 2 | | WHEREAS, Sones de Mexico Ensemble has made extraordinary | 3 | | contributions to Illinois' legacy of artistic achievement | 4 | | while advancing the growth of musical education and putting a | 5 | | spotlight on often overlooked perspectives and musical styles; | 6 | | and | 7 | | WHEREAS, Sones de Mexico Ensemble has promoted greater | 8 | | appreciation of Mexican folk and traditional music through | 9 | | innovative performances and education; and | 10 | | WHEREAS, Sones de Mexico Ensemble held its first public | 11 | | performance at Taller Mexicano de Grabado in Chicago's | 12 | | historic Pilsen neighborhood on April 9, 1994; and | 13 | | WHEREAS, Sones de Mexico Ensemble released its first | 14 | | album, Que Florezca, comprising of a four-part suite of songs | 15 | | based on the elements of air, water, fire, and earth, which | 16 | | found common denominators in other ethnic traditions around | 17 | | Chicago and encouraged cross-cultural collaborations; and | 18 | | WHEREAS, Sones de Mexico Ensemble's subsequent albums, | 19 | | Fandango on 18th Street, Esta Tierra es Tuya, Fiesta Mexicana, | 20 | | Viva La Revolucion, and 13 B'ak'tun, all broke new ground | 21 | | while celebrating history and cultures not frequently |
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| 1 | | showcased in popular music; and | 2 | | WHEREAS, Sones de Mexico Ensemble's live concerts have | 3 | | spanned a range of subgenres and artistic collaborations, | 4 | | entertaining and enlightening countless fans; and | 5 | | WHEREAS, Sones de Mexico Ensemble continues to deliver | 6 | | world-class performances, community education, and | 7 | | contributions to the recording industry; therefore, be it | 8 | | RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE ONE | 9 | | HUNDRED THIRD GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that | 10 | | we recognize Sones de Mexico Ensemble for its gifts to the | 11 | | people of Illinois and the generous imprint it has left on our | 12 | | collective cultural history. |
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