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| HOUSE RESOLUTION
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| WHEREAS, The members of the Illinois House of |
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| Representatives are pleased to honor Nickolas Ashford and |
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| Valerie Simpson for their many years of success as the musical |
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| duo Ashford & Simpson; and
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| WHEREAS, Nickolas Ashford and Valerie Simpson's |
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| award-winning collaborations began in 1964, when the duo |
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| recorded an original song, "I'll Find You", as "Valerie & |
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| Nick"; the two met earlier that year in New York at the White |
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| Rock Baptist Church after Mr. Ashford moved to New York from |
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| Detroit in pursuit of a theater career; being homeless upon his |
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| arrival, he happened upon Bronx native Valerie Simpson, who had |
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| studied piano since the age of five and was playing and singing |
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| with the Harlem church's legendary choir; Mr. Ashford joined |
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| the choir and the two began writing songs, selling their first |
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| batch for $75; and
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| WHEREAS, Nick Ashford and Valerie Simpson were soon signed |
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| to the legendary Scepter Records as staff songwriters, breaking |
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| through in 1966 when Ray Charles landed a major hit with their |
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| composition "Let's Go Get Stoned"; their success led to both of |
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| them being signed with Motown Records, where they penned the |
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| classic Marvin Gaye/Tammi Terrell hits "Ain't No Mountain High |
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| Enough", "Your Precious Love", "Ain't Nothing Like the Real |
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LRB096 11001 GRL 21285 r |
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| Thing", "You're All I Need to Get By", and "Good Lovin' Ain't |
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| Easy to Come By"; they also wrote hits for other Motown greats, |
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| most notably Diana Ross, who launched her solo career with a |
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| hit remake of "Ain't No Mountain High Enough", that was also |
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| produced by Ashford & Simpson; the two also wrote hits such as |
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| "Reach Out and Touch (Somebody's Hand)" and "The Boss"; and
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| WHEREAS, Not content with simply writing hit songs, Nick |
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| Ashford and Valerie Simpson had their own recording/performing |
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| aspirations as well; from 1973 to 1981, they released nine |
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| albums, creating hit songs such as "Send It", "Don't Cost You |
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| Nothin'", "It Seems to Hang On", "Love Don't Make it Right", |
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| "Is It Still Good to Ya", and "Found a Cure"; their hitmaking |
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| continued after a move to Capitol Records in 1982, with "Street |
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| Corner", "Highrise", "I'll Be There for You", and "Solid", |
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| which topped the R&B chart in 1984 and crossed over to number |
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| 12 on the pop singles chart; during their successful career, |
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| the two continued writing and producing songs for other |
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| artists, including Ben E. King, Gladys Knight and the Pips, |
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| Chaka Khan, and Quincy Jones; and |
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| WHEREAS, Ashford & Simpson were the only R&B act to perform |
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| at the historic Live Aid event in 1985, where they brought out |
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| Teddy Pendergrass to join in on "Reach Out and Touch |
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| (Somebody's Hand)" in Mr. Pendergrass' first performance |
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| following his tragic car accident; the duo later starred in |
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LRB096 11001 GRL 21285 r |
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| concerts celebrating Nelson Mandela's 70th birthday and |
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| President Bill Clinton's first inauguration; and
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| WHEREAS, In 1996, the duo's "Reach Out and Touch |
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| (Somebody's Hand)" was used as the theme for the Summer |
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| Olympics in Atlanta; in that same year, they formed their own |
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| label, Hopsack & Silk, and released "Been Found", an acclaimed |
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| music/poetry album collaboration with their friend, Maya |
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| Angelou; also in that year, the American Society of Composers |
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| And Publishers (ASCAP) presented them with its highest honor, |
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| the Founder's Award; in 1999, they received the Pioneer Award |
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| from the prestigious Rhythm & Blues Foundation; in 2002, they |
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| joined the pantheon of popular music songwriters when they were |
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| inducted into the Songwriters Hall of Fame; and |
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| WHEREAS, The partnership between Nick Ashford and Valerie |
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| Simpson is currently hotter than ever; a two week stint at |
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| Feinstein's at the Regency in New York in 2006 was so |
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| successful that they were brought back for three weeks in 2007, |
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| garnering some of the best notices of their career; they |
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| followed their show with concerts in London and Amsterdam that |
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| drew ecstatic audiences, then returned to work on a musical |
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| adaptation of E. Lynn Harris's novel "Invisible Life"; and
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| WHEREAS, Nick Ashford and Valerie Simpson are the operators |
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| of the Sugar Bar, a popular Manhattan restaurant known for its |
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| renowned Thursday Night Open Mic events, where anyone can |
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| perform a song with the stellar house band; the Sugar Bar has |
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| featured acts such as Patti LaBelle, Stevie Wonder, Paul |
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| Shaffer, Michael McDonald, Jimmy Buffett, Queen Latifah, and |
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| John Rich; and |
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| WHEREAS, Nick Ashford and Valerie Simpson are continuously |
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| involved in community service; Val currently serves as a member |
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| of the ASCAP Board of Directors and as national spokesperson |
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| for the Speaking of Woman's Health organization; Nick currently |
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| serves on the Board of Directors for George Faison's Firehouse |
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| Theatre; together, they regularly perform at important charity |
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| events, such as Atlanta's recent 24th Annual Mayor's MASKED |
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| Ball (Mankind Assisting Students Kindle Educational Dreams), |
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| an event supporting the United Negro College Fund; and
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| WHEREAS, Nick Ashford and Valerie Simpson have been the |
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| recipients of many honors and awards; two honors, however, |
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| stand out as special milestones for the duo; Val's special |
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| milestone consists of her name on a street sign in the Bronx |
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| Walk of Fame, in commemoration of her achievements by her proud |
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| neighborhood; Nick's special milestone is an inscription from |
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| Val that says "Nick Ashford slept here" on the park bench in |
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| Bryant Park that he called home when he first came to New York, |
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| symbolizing the long journey they've traveled together since |
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| that fateful day at White Rock Baptist; and
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| WHEREAS, Ashford & Simpson are well known throughout the |
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| music industry and their legions of devoted fans as one of the |
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| most acclaimed and admired creative couples in contemporary |
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| music; therefore, be it
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| RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE |
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| NINETY-SIXTH GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that we |
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| honor Nickolas Ashford and Valerie Simpson for their many years |
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| of success and wish them continued success and happiness in the |
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| future; and be it further
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| RESOLVED, That a suitable copy of this resolution be |
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| presented to Nickolas Ashford and Valerie Simpson as a symbol |
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| of our esteem and respect.
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